This is one of those books that I have the opportunity to read every now and again that I really cherish. My favorite books in the young adult genre are those that delve into the difficult, real-life experiences of teens placed into impossible circumstances. I also love learning about these other cultures and the truth behind what has been happening around the world. It’s unfortunate that all too often here in America, we don’t care enough about the world outside of our own country to pay it much mind. The entire story is happening during my lifetime, and I had no idea that there was such strong oppression in Laos until after reading this book.

As for the text itself, Manivong narrates the story in a way that creates an excellent balance between the plot and characters and the description of the world. I could have used a bit more, actually, of the description of the awful circumstances in which our main characters have found themselves. Overall, it’s a compelling story with beautiful narration and an educational journey that is good for American audiences. I recommend it to readers 12+.

Critique

Unlike many of the books I read and review in the young adult arena, I was not able to skip through this text quickly. I found myself reading a few chapters and then pondering on the implications of the text and the honesty it forced me to face in my own life. Marcelo has this way of relating experiences in their most simplistic form, breaking things down from the complexity that we often try to shroud our interaction and thought process with in order to pursue negative and destructive behavior that we ultimately know is wrong and bad for us and others.

It caused me to question why we interact with each other in certain ways, and what prohibits us from being living in honesty and decency. It reminds me of many of the conversations I have around ‘sharing’ music, a term we use to defend something that it, in reality, is nothing but stealing. We have many methods we use to doublespeak ourselves into believing that this kind of behavior in all aspects of our lives is not only ‘ok’ but should actually be ‘encouraged.’ Through our selfishness, we create our own systems of misery and suffering, and I believe that a character like Marcelo has the capability to help us refocus and put it all back into perspective—cause and effect, action and consequence.

As for the story itself, it’s beautifully written, and I enjoyed every last word. It reads as if Stork truly took the time to create a rich, engaging, and educational experience for his audience. It’s been several days since I’ve finished, and although I’m in the midst of other books, this text has stuck with me as I continue to process through my priorities and the way I live my life in general. Marcelo is a believable character who goes through a painful transition and an arc that is riddled with sadness and joy. I think, in many ways, his journey helps to remind us that the ‘real world’ is more complicated than we’d like it to be, but that we often create that drama for ourselves. I recommend this to all readers 13+.

Critique

What can I say about Boys Without Names? It is such an amazing book, that I’m not sure describing it, or just using words like ‘moving,’ ‘poignant,’ and ‘beautifully painful’ really do it justice. It’s a simple yet profound story that everyone in America should read, not just teens. It’s important that we as a culture understand that many of the nice things that we want at a cheap price often come at an incredibly high price for someone else. Including becoming a slave.

Read it! Expand your worldview. Change your perspective on what it truly, tangibly means to have your clothes made in sweatshops in poorer countries around the world. Our rampant materialism is an oppressor to people in other nations, and we should have to account for it.

Other than the message Sheth so profoundly communicates, the world she creates is beautiful. I can feel the heat, smell all the amazing smells, and learn a great deal about Indian culture. I feel as if I am also one of those boys without names, working in the sweatshop, and through their experience of creating family and bonds, and reminded fondly of my own childhood. All the more reason that I want to step into the story and save these children from injustice, and punish those who are responsible for it.

It was everything I was hoping for and more, and I recommend that everyone read it.

Critique

Even though I was certain Montmaray was not a real place, I continually second guessed myself throughout reading the text. Cooper does such a fantastic job of creating a believable history, topography, and culture for this imaginary island that it makes it difficult to believe it’s not an actual place.

Also, typically I don’t like the whimsical girl 1st person narrative, but I believe it worked for this story very well. However, there were sometimes where the journal concept Cooper uses to tell the story breaks down a bit. By that I mean specifically that the events and the way Sophie is relaying those events seem less like a girl writing in her journal and more like a standard 3rd person omniscient narrator.

The most accomplished element of the book is certainly the intertextual weaving of historical fiction with historical fact over the course of the history of Montmaray with the rest of Europe, as well as the discussions that arise between the characters about their roles in the world as European royalty given the tumultuous nature of Europe at the time. The war feels real told through the eyes of Sophie as does everything else about her little island kingdom. I recommend this novel to readers 13-17.

Critique

Lawrence has composed a beautifully written book that aptly creates two different worlds. The first, the ‘real’ world is a heart-wrenching account of children who are suffering from Polio, but are able to be brightened because one girl decides to be brave enough to show up every Saturday and narrate an ongoing story. The second world is the frame story, the fantasy tale that Laurie creates for the kids in the Polio ward, which feels equally as tangible as the first.

It soon becomes clear that the two worlds are merging, and each child represents a character in the story. Laurie doesn’t always necessarily intend for it to play out that way, but through the merging of the worlds, it becomes clear to the kids that the story must be finished. Lawrence has created a treasure where both stories keep the reader interested and informed at the same time, rooting for the heroes to overcome the giant, and for the kids to overcome Polio. I wouldn’t be surprised if this novel is in the clear running for the Newbery. I recommend it to all readers 8+.

Critique

This novel was surprisingly good, not that I was expecting less, but more that I wasn’t sure what to expect at all. The overall premise of the book doesn’t really do the actual story justice. I love how Thompson has woven together Ireland’s past and present, the ancient, tribal, mythological version of the nation with the present, Christian-influenced nation we see today.

Although Thomson lifted the core of her fantasy from Irish mythology, I still feel this is an original fantasy because it’s rare that we get to see fantasies using Irish mythology. We see a lot of Norse and Austro-Hungarian myth, with elves, dragons, dwarves, as well as Greek and Roman, but it’s rare that we get a taste of Irish mythology, which is characteristically different, both in its creatures and the world in which they live.

What I found most interesting was the correlation that Thompson makes between the Irish mythology, which is treated as fact in the text, and the Irish culture. The music is thought to have come from the fairies, and when J.J. discovers the world of the fairies, who are actually much more like humans than our traditional view of fairies, he discovers that time never passes in their land, so they have no fear or worry about anything. Thompson’s theory spoken through the text creates a connection between the Irish people and their love for music, beer, dancing and general merriment with their mythology.

It’s a fun take on Ireland’s past and present, but, in a way, it may not be too far off. Even though they may not have actually gotten their music from fairies, there are theories about how cultures and languages emerge. The Sapir-Whorf Hypothesis works off of the belief that a culture’s language is formed out of its surroundings, thus why the Eskimos would have 30+ words for snow. There may be some credence to why Ireland and the Gaelic people have been historically very different from the rest of the people’s of Europe—why they’ve valued music and merriment, relationships and family over conquering other lands or industrial progress. Perhaps Thompson’s theory is correct, and the Irish music does come from the immortals who live in Tír na n’Óg, the land of eternal youth.

I highly recommend this book to all readers 11+.

Critique

It’s not often that I get the pleasure of reading a book that written like a tapestry or a beautiful painting. Most of the books for teens and tweens nowadays are written to be non-stop action page-turning thrillers that will sell like hotcakes. I’m not saying I don’t enjoy them, at least at some level, but I can only drink smoothies for so many meals before I want a full five-course meal.

Unfortunately, it’s often difficult to find books that have a bit more muscle to them because they’re only picked up by smaller publishing companies that don’t have the big marketing budgets to sell a million copies. Thus, I’m really pleased that Lauren Small reached out to me to review her book because I thoroughly enjoyed every word of it.

Evie and Eason feel like real people dealing with difficult circumstances and decisions that effect their past and their present. Small has done a magnificent job of weaving historical elements into the text, wars past and present, and showing the reader what sorts of comparisons exist in a “history always repeats itself” sort of way. It’s a poignant novel in many ways, especially considering that we continue to be warmongers, feeling like our slaughter of people all over the world is justified because they think differently than we do, or they threaten our way of life.

The language is beautiful, poetic, and although it’s the kind of writing that takes a long time to get through, it’s the kind of writing that a reader ought to languish, like watching Casablanca vs. reality TV. I recommend this text to readers 14+.

Critique

To be honest, this book was so much better than I was initially expecting it to be. I guess that I shouldn’t be surprised considering that it won so many awards, including the esteemed Carnegie Medal. Not to be redundant, but I have to reiterate how amazing this book was. Unfortunately for readers everywhere Dowd has passed away and the book has been published posthumously.

As for the details, Dowd’s description of Northern Ireland during this tumultuous time is astounding. I truly felt the tension that Fergus felt and was able to get a clearer glimpse into the complicated world of Northern Ireland at the time. Fergus is an honest and compelling character who you can’t help but root for as he directs his life through the myriad of issues that arise with his family, his country, his blossoming love life, and the girl he’s found in the bog.

Having been to Ireland a few times myself, I believe that Dowd’s account of the area is accurate in its culture and people. Also, it’s refreshing to see a story told about this time period and area. I believe that readers need more historical fiction, especially regarding events throughout our history that have largely gone untold. The IRA and the fight for freedom from the British government, which is still an issue to this day, is something we rarely get a glimpse into.

I recommend this to all readers 15+.

Critique

It’s not surprising that the Surrender Tree won so many awards, including a Newbery Honor. The language is beautiful, and the story itself is one that is not often told. Especially for an American audience, this text reveals a new type of Cuba that predates the Communist revolution that sparked an arms race during the Kennedy presidency. This is a Cuba much like the early America or Jamaica—a country of people who want to have their own independence, who want to live freely as one people, no slavery, all equals.

It’s interesting to see the story from so many perspectives, and I think that Engle adroitly switches through the first person narratives with ease. Often writers will struggle to create variance in the voices and speech patterns of their characters, but each of the four sounds different from each other, not only in style and rhythm, but also in their character—hopes, dreams, loves, actions, driving forces. I read it twice, and I would recommend it to all readers.

Critique

This collection is a treasure among poetry, not only for its rich collection of voices and poignant social commentary on being Latin in America, but for its brutal honesty and courageous content that reveals both the beautiful and horrendous aspects of American culture as well as the Latin culture that these poets have left behind. All of the voices teach educational lessons to the readers, and bring an edge about the realities of living in America that can only be told accurately through the mouths of those experiencing it.

This is an excellent read for all cultures who’ve found themselves in America, especially those who grow up in secluded suburban neighborhoods and have no concept or empathy for ‘the other’. I recommend this text to all readers, especially early teens since so few books of poetry are written for this age group.